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SAM PATANIA--SPECIAL
COLLECTIONS
Sam Patania, as the third generation of Patania artisans, has followed very much in the footsteps of his father and grandfather before him. In 1969, at the age of ten, he began his apprenticeship at the Tucson Thunderbird Shop. For the next decade, his after-school training would be a major part of his daily routine. But Sam followed his own path, too, having sought instruction outside the traditions of the shop. In his 1977-78 school year, Sam enrolled in a jewelry-making course at Catalina High School where he....explored new approaches to his craft. In 1979, he became a full-time employee of the Thunderbird Shop. Feeding his need for knowledge he would attend the University of Arizona in 1988-89, where he met jewelry instructor Michael Croft. Sam tries to keep within the traditions with which he was raised, honoring his father and grandfather, and other artisans as well, including well-known silver designer William Spratling. Sam’s personal philosophy as a jewelry artist reflects this aesthetic: “A desire to learn drives my work,” he says. “New techniques, symmetry, asymmetry, materials—all are areas which continue to drive my designs. Color captures my eye and the thought of the beautiful women who will wear my work keeps me inspired.” Sam’s talents shine like his one-of-a-kind creations, such as the one which is currently in the permanent jewelry collection of the Renwick Gallery in Washington, D.C.. And his work is also on display at the old Thunderbird Shop—now renamed “Patania Sterling Silver Originals,” to honor the creative spirit that has earmarked this family’s heritage for three generations. The strength and character of the Patania name and tradition show no sign of weakening—doubtlessly, this is a family whose standard of excellence will survive and thrive well into both the future and history alike. (taken directly from "Patania: 70 Years of Excellence, Part II" by Shari Watson Miller, MODERN SILVER magazine, April - May, 2001) (See also, An Interview with Sam Patania by Marbeth Schon, MODERN SILVER magazine, Fall/Winter 2009) and read Sam's blog at http://patania-jewelry.ganoksin.com/blogs/ |
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| SAM PATANIA STERLING & 18K GOLD FLOWER NECKLACE & BRACELET | |||||
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Fabulous sterling and 18k gold necklace and bracelet by Sam Patania;
ingeniously entwined sterling and gold wires,
lily shapes and 18K gold
pistils; necklace is approximately 15" around (fits smaller neck);
bracelet is about 7-1/8" long (fits smaller wrist); both pieces are
marked with Sam Patania's makers mark: "FPS, STERLING, 18K;" fine
condition. $10,250.00 (item #C892) |
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| SAM PATANIA HAND-FORGED STERLING NECKLACE & COLLAR | |||||
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Sam Patania hand-forged sterling necklace and collar (all the work on
these two pieces is carved sterling--not carved first in wax and cast);
necklace is about 17" around and tapers from about 1-1/4" wide at the
front to 1/2" at the back with a gold clasp; cuff is about 1-3/4" wide
with inside diameter of approximately 2-3/8"; both are marked: "FPS,
925;" fine condition. Sam Patania speaks about this design: All ancient peoples had cosmologies based on observation of the clear, beautiful night sky. Rivers often were linked to the idea of time flowing and time was the link to the cosmos. I created these rivers of silver with planetary bodies floating in them to connect the sky with the earth. A woman who wears this will be wearing my bold work as ancient powerful women have done since jewelry was made. These pieces are influenced by my interest in Aztec culture, but like so much ancient culture, the ideas and design is global. These pieces also remind me of the Horse culture work out of the Asian Steppes and ancient Celtic work.$4,800.00 (set) (item #X813) |
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